
Vershinin delivers a philosophical and hopeful vision of the future to the Prozorov sisters. He argues that while their current lives may feel stagnant or full of suffering, they are laying the essential groundwork for a beautiful world that their descendants will one day enjoy.
VERSHININ: What a life! What a life! In a hundred years, or two hundred years, life on earth will be unimaginably beautiful, astonishing. Man needs such a life, and if it doesn't exist yet, he must foresee it, wait for it, dream of it, prepare for it. He must work for it, and build it, and create it
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
More from The Three Sisters
Tuzenbach's Monologue on Work
from The Three Sisters
Baron Tuzenbach expresses a profound existential longing to abandon his aristocratic life of leisure for a life of manual labor. He passionately describes a future where work provides universal fulfillment and purpose, seeking to prove his worth and idealism to Irina.
Solyony's Monologue on His Nature
from The Three Sisters
Solyony delivers a dark and introspective confession regarding his social alienation, his obsession with death, and his violent jealousy toward Tuzenbach. He struggles with his inability to connect with others and reveals his fatalistic plan to kill his rival to win Irina's love or find peace.
Solyony's Monologue
from The Three Sisters
Solyony reveals the deep-seated insecurity and loneliness hidden beneath his aggressive and eccentric public persona. He reflects on his inability to communicate his sensitive nature to others, admitting that his cynical behavior is merely a defense mechanism against rejection.
Chebutykin's Monologue on Life and Death
from The Three Sisters
An aging army doctor experiences a nihilistic breakdown, grappling with the futility of his profession and the meaninglessness of existence. He confronts his own failures and the realization that all human effort and morality are ultimately erased by time.
Similar Scenes
Act II — Trigorin's Obsession
from The Seagull
Trigorin, a successful writer, deconstructs the romantic myth of the literary life to a young admirer. He describes the compulsive, exhausting nature of his creative process and how he views the world only as material for his next work.
Rosalind Scolds Phoebe
from As You Like It
Disguised as the youth Ganymede, Rosalind delivers a sharp-witted rebuke to the shepherdess Phoebe for her cruel treatment of the devoted Silvius. She humbles Phoebe's vanity by critiquing her appearance and urges her to accept a good man's love while she has the chance.
Exodos — The Blinding of Oedipus
from Oedipus Rex
After discovering the horrific truth of his lineage and the fulfillment of the prophecy, Oedipus emerges from the palace having blinded himself. He laments his existence and begs to be exiled from Thebes to end his suffering.
Act III, Scene 1 — Claudio's Fear of Death
from Measure for Measure
Claudio expresses his visceral and overwhelming terror of death to his sister, Isabella. He vividly imagines the physical decay of the body and the potential spiritual torments of the afterlife, concluding that even the most miserable life is preferable to the unknown horrors of the grave.