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    Comedy-Drama

    Debbie's Sabotage Monologue

    from Love and Money

    Written by Dennis Kelly

    Debbie's Sabotage Monologue from Love and Money — audition scene

    Debbie, an office worker, calmly recounts a series of increasingly violent and unhinged acts of sabotage against her workplace and boss. The monologue juxtaposes her mundane delivery with the disturbing nature of her actions, ending on a poignant childhood aspiration.

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    DEBBIE

    I put wall-paper paste in the coffee machine at work. You know the powder, you buy the powder in, while no one was looking I put it into the machine and stirred it all in and left it and it clogged up the machine and they all stood around it staring at it, hurt, like it was a dead puppy. When you print orders at work, they come out face up with the…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Taken from Dennis Kelly’s contemporary play *Love and Money*, this dark comedy monologue features Debbie, an office worker detailing a progression of disruptive and increasingly disturbing acts of sabotage against her workplace and her employer. The piece juxtaposes casual office life with shocking violence and mischief. It closes on a quiet, poignant reflection on a childhood aspiration, giving the narrative an unexpected emotional shift.

    Character Analysis

    Debbie is an intense, quirky anti-hero navigating the soul-crushing atmosphere of corporate life. Rather than expressing frustration through conventional channels, she channels her resentment into calculated, shocking acts of retaliation while maintaining an eerily calm exterior. Her psychological state moves between detached amusement, squeamish revulsion, and deep-seated alienation. The sudden mention of what she originally hoped to become reveals an underlying sadness beneath her cold demeanor.

    Why This Works for Auditions

    Clocking in at approximately two minutes, this monologue instantly grabs an audition panel's attention with its striking balance of dark humor and genuine disturbance. It provides an exceptional platform for actors seeking to demonstrate deadpan delivery, nuanced storytelling, and unpredictable shifts in emotional temperature. Because the text avoids obvious emotional outbursts, casting directors can observe your ability to hold tension and sustain compelling subtext.

    Best Suited For

    This piece is ideal for female actors aged 25 to 35 who want to showcase their range as character actors capable of playing complex, intense, or unhinged roles. It is especially well-suited for drama school auditions, agent showcases, and self-tapes where contemporary drama with sharp comedic edges is requested. Performers who excel at dry humor and psychological realism will find rich material here.

    Performance Tips

    Resist the urge to play Debbie as overtly manic or aggressive. The comedic and dramatic power of Dennis Kelly’s writing relies entirely on the stark contrast between her horrific behavior and her breezy, matter-of-fact delivery. Treat the recounting of your sabotage as if you are sharing everyday workplace gossip over coffee. Take your time with the physical descriptions of what occurred, and allow the final beat about your childhood ambition to land with honest, undefended vulnerability.

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