
Lucille Ball and Desi Arnaz confront the network and sponsors with the news of Lucy's pregnancy, a move that threatens the show's future in the 1950s. Desi fights to keep the pregnancy in the script, challenging the era's strict moral codes and television standards to protect his wife's career and their family.
DESI: We need to talk.
BOB: No, don’t tell me--
DESI: No, we’re still okay. No one’s picked up the story.
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
More from Being the Ricardos
Lucy's Confrontation with Vivian
from Being the Ricardos
A tense, confrontational, vulnerable LUCY & VIVIAN's duologue from "Being the Ricardos" by Aaron Sorkin.
Lucy's Marriage Woes
from Being the Ricardos
A tense, accusatory, revealing LUCY & DESI's duologue from "Being the Ricardos" by Aaron Sorkin.
Lucy Confronts Jess About Credit
from Being the Ricardos
A tense, assertive, vulnerable LUCY & JESS's duologue from "Being the Ricardos" by Aaron Sorkin.
Lucy's Ambition and Dreams
from Being the Ricardos
A intimate, revealing, hopeful LUCY & DESI's duologue from "Being the Ricardos" by Aaron Sorkin.
Similar Scenes
The Judge's Charge
from 12 Angry Men
The presiding judge delivers final instructions to the jury in a first-degree murder trial. He emphasizes the gravity of their decision and the mandatory death sentence should they find the defendant guilty.
Act I, Scene 1 — The New House
from The Gilded Age
Bertha Russell shows her son Larry their lavish new New York mansion. She displays her social ambitions and controlling nature as she encourages him to network with the elite Astor family.
Lester and Angela
from American Beauty
A middle-aged man and his daughter's teenage friend share a tense, intimate moment in a living room. The scene explores themes of obsession, insecurity, and the fear of being ordinary.
The Interview — Frank T.J. Mackey
from Magnolia
A high-stakes interview between a charismatic pick-up artist and a journalist turns cold when she confronts him about his fabricated past and his mother's death. Frank's bravado crumbles into a defensive silence as his carefully constructed persona is dismantled.
