Kay Eiffel, a struggling novelist, discusses the fate of her protagonist with her new assistant, Penny. They brainstorm various ways to kill off the main character, eventually landing on a meaningful sacrifice that provides the creative breakthrough Kay needs.
KAY: I’m... I’m trying to decide how to kill Harold.
PENNY: Harold Crick? The protagonist of your new novel?
KAY: The very same. I’m at a bit of a crossroads. I have several options, but none of them feel quite right.
PENNY: Well, let’s hear them. Perhaps a fresh perspective will help.
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
Similar Scenes
Being John Malkovich - The Interview
from Being John Malkovich
Craig Schwartz, a struggling puppeteer, interviews for a filing job at the eccentric LesterCorp. The scene highlights the surreal nature of the company's office—located on a floor with half-height ceilings—and establishes the bizarre, existential tone of the workplace.
Isabel and Pilar's Talk
from Love, Victor
A mother catches her teenage daughter attempting to send an inappropriate photo to her long-distance boyfriend. The confrontation shifts from a disciplinary moment to a vulnerable conversation about self-worth and the difficulty of letting go as a parent.
The Store Robbery Aftermath
from Thelma & Louise
Following a spontaneous armed robbery at a convenience store, Thelma and Louise speed away in their car. Thelma is exhilarated by her newfound criminal streak while Louise is panicked by the escalating legal stakes of their journey.
Act II — The Ending (Waiting for Godot)
from Waiting for Godot
In the final moments of the play, Vladimir and Estragon contemplate suicide and the possibility of leaving, only to remain trapped in their cycle of waiting for the mysterious Godot.