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    Film
    duologue
    Comedy-Drama

    The Breakup in the Car

    from Valentine's Day

    Written by Katherine Fugate

    Valentine's Day

    In the back seat of a car, Janice and Alex's attempt at a romantic encounter is repeatedly interrupted by Janice's neuroses and the smell of delivery food. The mood shifts abruptly when Janice realizes that their impending life changes mean they should break up instead of moving forward. Alex is left blindsided and heartbroken as Janice explains her need for them to find themselves separately.

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    Scene PreviewExcerpt — subscribe to read full scene

    JANICE

    Are you sure you don’t need to deliver that food?

    ALEX

    What? No. I mean - eventually. But we’ve got time.

    JANICE

    Because you know how annoyed I get when deliveries take a long time, and I would hate -

    ALEX

    Seriously? Are we talking about this?

    JANICE

    You’re right. I’m - just a little nervous.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This contemporary comedy-drama duologue, "The Breakup in the Car," offers a vulnerable and bittersweet moment between two young characters, Janice and Alex. Set in the intimate confines of a car's back seat, the scene initially builds tension with awkward comedic interruptions during what should be a romantic encounter. However, the tone swiftly shifts from lighthearted to genuinely poignant as Janice unexpectedly decides their impending life changes necessitate a breakup, leaving Alex blindsided and heartbroken by her reasoning. It's a relatable snapshot of young love ending with an attempt at maturity.

    Character Analysis

    Janice, in the driver's seat of this emotional conversation, is presented as neurotic and prone to overthinking, initially deflecting intimacy with anxieties about delivery food and seatbelt discomfort. Her ultimate decision reveals a deeper, more vulnerable side, suggesting a fear of commitment or a strong desire for individual growth, even at the cost of a loving relationship. Alex, on the other hand, appears more straightforward and eager for physical affection, initially puzzled by Janice’s prevarications. His character arc within the scene transitions from playful anticipation to crushing disbelief and heartbreak, showcasing his vulnerability and genuine affection for Janice.

    Why This Works for Auditions

    This scene is an excellent choice for auditions due to its clear emotional arc and opportunities for dynamic character work within a short timeframe. It allows actors to demonstrate range, shifting from comedic awkwardness to profound sadness, all while maintaining a contemporary and relatable tone. The duologue format provides ample space for both actors to react authentically to their scene partner, showcasing active listening and naturalistic performances. Its bittersweet nature also allows for a nuanced portrayal of a "breakup" that isn't overtly dramatic but deeply impactful.

    Best Suited For

    "The Breakup in the Car" is ideally suited for actors in the 18-25 age range, particularly those looking to portray "Girl Next Door" or "Boy Next Door" types with a layer of complexity. It works well for casting directors seeking young professionals or even teenagers who can navigate both comedic timing and genuine emotional vulnerability. The scene’s contemporary setting and relatable themes make it perfect for self-tapes, general practice, and agent showcases where authenticity and emotional depth are paramount.

    Performance Tips

    When approaching this scene, Janice should focus on making her initial neuroticisms feel genuine rather than just an obstacle, hinting at the deeper anxieties brewing beneath the surface. Her eventual pivot to breaking up should feel earned and slightly detached, almost like she's convincing herself as much as Alex. Alex should play his initial eagerness with warmth and charm, making his eventual heartbreak all the more devastating and visibly impactful. Both actors should pay close attention to the subtext of their lines, particularly in the silent moments and reactions, allowing the unspoken emotions to convey the weight of their situation.

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