Browse Scenes

A character grapples with a significant internal conflict or external pressure, attempting to articulate their deepest fears or desires. The scene explores the emotional weight of their current situation and the stakes of their next decision.

Hester, a young American visitor, delivers a scathing critique of the English upper class's hypocrisy and moral decay. She challenges their superficial values and lack of spiritual depth, contrasting their wealth with their perceived spiritual poverty.

Gwendolen expresses her sudden insecurity and polite jealousy upon discovering that her fiancé, Ernest, has a young and beautiful ward. She attempts to maintain a mask of high-society decorum while suggesting that Cecily's physical charms might be a threat to Ernest's moral fortitude.

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Basil Hallward confesses to Lord Henry Wotton the profound and terrifying influence Dorian Gray has over his art and soul, explaining why he refuses to exhibit the portrait.

Algernon explains his philosophy of 'Bunburying' to Jack, revealing how he uses a fictional invalid friend to escape tedious social obligations. He argues that such deceptions are an absolute necessity for maintaining one's sanity in polite society and marriage.

Algernon, posing as the fictional 'Ernest', attempts to woo Cecily in the garden. He is bewildered to discover that Cecily has already documented their entire romance and engagement in her diary long before they actually met.

Lady Bracknell interrogates Jack Worthing to determine if he is a suitable suitor for her daughter, Gwendolen. She delivers a scathing and hilariously detached critique of his social standing and his lack of living parents.

Jack Worthing proposes to Gwendolen Fairfax, who accepts primarily because she believes his name is Ernest. Their moment is interrupted by the formidable Lady Bracknell, who dismisses the engagement and asserts her parental authority.

Lady Bracknell interrogates Jack Worthing about his family lineage, only to be horrified by the revelation that he was discovered as a baby in a handbag at Victoria Station.

Dorian Gray passionately describes his first encounter with the actress Sibyl Vane to Lord Henry. He contrasts her transcendent, artistic beauty with the mundane nature of ordinary women.

Gwendolen discovers that her fiancé, Ernest (Jack), has a young and beautiful ward named Cecily. She attempts to maintain Victorian politeness while expressing her deep insecurity and jealousy regarding Cecily's 'alluring' appearance.