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    Comedy-Drama

    Season 2 Episode 6 — I am not a bad guy!

    from Fleabag

    BAFTA WinnerEmmy WinnerGolden Globe

    Written by Phoebe Waller-Bridge

    Fleabag

    2 min · 1 character · Male · 35-45

    In a desperate and pathetic attempt to save his marriage, Martin lists his minor domestic contributions while acknowledging his 'bad personality' and alcohol problem. He ultimately insults his wife after she literally begs him to leave.

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    MARTIN

    Listen to me. I just, I have a little speech that’s building here. Now, I know you look at me and you see a bad man with a big beard. Fine. I tried to kiss your sister on her birthday. Fine! I mix up birthdays and I have an alcohol problem just like everyone else in this f***g country, but I am here and I do things. I pick up Jake from st. I…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This contemporary comedy-drama monologue comes from the television series Fleabag, written by Phoebe Waller-Bridge. In a desperate bid to save his collapsing marriage, Martin delivers an impassioned plea that balances minor domestic grievances against his acknowledged personal failings, including an alcohol problem. What begins as an eccentric self-defense rapidly unravels into raw emotional vulnerability and a bitter confrontation.

    Character Analysis

    Martin is a deeply flawed man trapped between intense insecurity and aggressive self-preservation. While he recognizes his own difficult personality and destructive habits, he genuinely believes his mundane household efforts and capacity to provide humor should earn him forgiveness. His outward defensiveness masks years of heartbreak, resulting in an erratic mix of pleading affection, rationalization, and cruel lashing out.

    Why This Works for Auditions

    Originating from a BAFTA, Emmy, and Golden Globe-winning series, this piece gives actors a rare opportunity to play dark comedy rooted in profound emotional distress. The text demands sharp comedic timing alongside authentic desperation, ensuring the character never registers as a one-dimensional villain. Casting panels appreciate the dramatic turn at the climax, which showcases an actor's ability to navigate sudden status shifts and devastating reversals in under two minutes.

    Best Suited For

    This monologue is ideal for male actors aged 35 to 45 who align with character actor, everyman, quirky, or vulnerable casting types. It serves as excellent contemporary material for drama school auditions, self-tapes, agent showcases, or general practice. Performers with strong comedic instincts who can comfortably access genuine pathos will find the text especially rewarding.

    Performance Tips

    Resist the urge to play Martin as a cartoonish antagonist from the opening beat. Ground his rapid catalog of household contributions in absolute sincerity, treating every trivial chore as a vital piece of evidence in his defense. Pay careful attention to the beat where his partner calls his bluff, allowing the sudden shock of defeat to land fully before delivering the final parting insult.

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